Copyright and piracy

Título:

Copyright and piracy

Autores:

Lionel BENTLY (Editor) / Jennifer DAVIS (Editor) / Jane C. GINSBURG (Editor) / Jennifer DAVIS / Jane C. GINSBURG / Isabella ALEXANDER / Catherine SEVILLE / Adrian JOHNS / David LEFRANC / Anne BARRON / Jonathan ALDRED / Alan DURANT / Graeme B. DINWOODIE / Jon CROWCROFT / Paul CLOUGH / Tanya APLIN / Nick GROOM / Daniel McCLEAN / Jonathan GRIFFITHS / Jason TOYNBEE / Johnson OKPALUBA / Loraine GELSTHORPE / Shira PERLMUTTER

Editor:

Cambridge. Cambridge University Press, 2010.

Descripción:

502 p.

ISBN:

9780521193436

Materias:

CopyrightDerecho InternacionalDerecho MoralEconomíaFranciaInfraccionesInternacionalJamaicaObra MusicalPirateríaProgramas de ordenadorPropiedad Intelectualsoftware

Tipo de contenido:

Manual

Fondo:

Biblioteca Ramón Casas

CDU:

RC 13 11

An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?

• PART I
• Introduction p.1.
• 1. Inspiration or infringement: the plagiarist in court p.3.
• PART II
• History p.17.
• 2. Nineteenth-century Anglo-US copyright relations: the language of piracy versus the moral high ground p.19.
  Catherine SEVILLE.
• 3. Language, practice, and history p.44.
  Adrian JOHNS.
• PART III
• Comparative law p.53.
• 4. The metamorphosis of contrefaçon in French copyright law p.55.
  David LEFRANC.
• 5. A common lawyer's perspective on contrefaçon p.80.
  Jane C. GINSBURG.
• PART IV
• Economics p.91.
• 6. Copyright infringement, free-riding and the lifeworld p.93.
  Anne BARRON.
• 7. Copyright and the limits of law-and economics analysis p.128.
  Jonathan ALDRED.
• PART V
• Linguistics p.145.
• 8. Substantial similarity of expression in copyright infringement actions: a linguistic perspective p.147.
  Alan DURANT.
• 9. Refining notions of idea an expression through linguistic analysis p.194.
  Graeme B. DINWOODIE.
• PART VI
• Computer software p.207.
• 10. Copyright, piracy and software p.209.
  Jon CROWCROFT.
• 11. Of plots, puddings and draught-excluders: the law as it applies to the infringement of computer programs p.230.
  Jennifer DAVIS.
• PART VII
• Information studies p.245.
• 12. Measuring text reuse in the news industry p.247.
  Paul CLOUGH.
• 13. Reflections on measuring text reuse from a copyright law perspective p.260.
  Tanya APLIN.
• PART VIII
• Literature p.269.
• 14. Un original genius: plagiarism and the construction of "Romantic" authorship p.271.
  Nick GROOM.
• 15. The genius and the labourer: authorship in eighteenth - and nineteenth- century copyright law p.300.
  Isabella ALEXANDER.
• PART IX
• Art.309
• 16. Piracy and authorship in comtemporary art and the artistic commonwealth p.311.
  Daniel McCLEAN.
• 17. Copyright's imperfect republic and the artistic commowealth p.340.
  Jonathan GRIFFITHS.
• PART X
• Sociology/music p.355.
• 18. Reggae open source: how the absence of copyright enabled the emergence of popular music in Jamaica p.357.
  Jason TOYNBEE.
• 19. 'Free-riding on the riddim'? Open source, copyright law and reggae music in Jamaica p.374.
  Johnson OKPALUBA.
• PART XI
• Criminology p.387.
• 20. Copyright infringement: a criminological perspective p.389.
  Loraine GELSTHORPE.
• 21. Towards a clearer understanding of the file-sharing phenomenon? Comments on a criminological perspective p.410.
  Shira PERLMUTTER.
• Bibliography p.421.

• Texto : sin mediación
• Copyright and piracy / Lionel BENTLY (Editor); Jennifer DAVIS (Editor); Jane C. GINSBURG (Editor); Jennifer DAVIS ; Jane C. GINSBURG ; Isabella ALEXANDER ; Catherine SEVILLE ; Adrian JOHNS ; David LEFRANC ; Anne BARRON ; Jonathan ALDRED ; Alan DURANT ; Graeme B. DINWOODIE ; Jon CROWCROFT ; Paul CLOUGH ; Tanya APLIN ; Nick GROOM ; Daniel McCLEAN ; Jonathan GRIFFITHS ; Jason TOYNBEE ; Johnson OKPALUBA ; Loraine GELSTHORPE ; Shira PERLMUTTER -- Cambridge: Cambridge University Press, 2010; 502 p. ;
• ISBN:9780521193436
• Copyright
• Derecho Internacional
• Derecho Moral
• Economía
• Francia
• Infracciones
• Internacional
• Jamaica
• Obra Musical
• Piratería
• Programas de ordenador
• Propiedad Intelectual
• software
• Lionel BENTLY (Editor)
• Jennifer DAVIS (Editor)
• Jane C. GINSBURG (Editor)
• Jennifer DAVIS
• Jane C. GINSBURG
• Isabella ALEXANDER
• Catherine SEVILLE
• Adrian JOHNS
• David LEFRANC
• Anne BARRON
• Jonathan ALDRED
• Alan DURANT
• Graeme B. DINWOODIE
• Jon CROWCROFT
• Paul CLOUGH
• Tanya APLIN
• Nick GROOM
• Daniel McCLEAN
• Jonathan GRIFFITHS
• Jason TOYNBEE
• Johnson OKPALUBA
• Loraine GELSTHORPE
• Shira PERLMUTTER
• RC 13 11