Quaderni di ALAI Italia/ 2 -Applied Arts Under IP Law -The uncertain border between beauty and usefulness / Les Arts Appliqués dans la Législation sur la Propriété Intellectuelle – La frontière incertaine entre beauté et utilité

Proceedings of the International Congress of the Association Littéraire et Artistique Internationale (ALAI) Rome, 15-16 September 2016

This book contains the Proceedings of the International Congress of the Association Littéraire et Artistique Internationale (ALAI), held in Rome, 15–16 September 2016. The congress was focused on the analysis of the different forms of legal protection granted to arts applied to the industry, from a comparative perspective. A full session has been dedicated to the future of design rights, considering the impacts of the 3D Technology on IP paradigms. All papers were updated before their publication in order to take into account the latest legal developments.


ALAI. Roma. Italia. 2018. 1ª.
AlemaniaAmérica LatinaArte aplicadoCompensación equitativa por copia privadaConvenio de BernaConvenio de ParísDerecho ComunitarioDerecho de RemuneraciónDerechos exclusivosDibujos y ModelosDiseños IndustrialesEspañaEstados UnidosGestión de los derechos de autorIsraelItaliaJurisprudenciaLímites al derecho de autorMarketingMedidas Tecnológicas de ProtecciónNuevas TecnologíasProtección internacional de la propiedad intelectualProveedores de Servicios de InternetUnión Europea

  • CONTENTS
  • Foreword p.11.
    Stefania ERCOLANI.
  • Opening speech p.13.
    Frank GÖTZEN.
  • The International Framework of Copyright and Extra–Copyright Protection of Applied Art. Berne Convention, Paris Convention, TRIPs p.15.
    Sam RICKETSON.
  • Legal Review of Design in the European Union p.53.
    Uma SUTHERSANEN.
  • The French Approach. Unité de l’Art p.67.
    Agnès TRICOIRE.
  • Utile et “futile” dans la propriété intellectuelle. La “valeur artistique” des dessins et modèles en droit italien p.79.
    Paolo SPADA.
  • The Supreme Court Fails to Un–“Twist” the Knot. U.S. Report on Copyright Protection for Applied Art p.91.
    Jane C. GINSBURG.
  • The Latin American Approach p.115.
    Delia LIPSZYC.
  • Limits of Copyright and Design. Ideas, Functionality, Style and Fashion p.125.
    Peter ADAMSSON.
  • Bienes inmateriales híbridos y concurrencia de protecciones. Formas de tutela de las obras aplicadas a la industria p.133.
    Fernando CARBAJO CASCÓN.
  • Protection of Applied Art in Israel through the Law of Unjust Enrichment p.149.
    Tony GREENMAN.
  • Protection of Works of Applied Art under German Trademark Law p.153.
    Mina KIANFAR.
  • Business strategies and industry perspectives. The view of the Italian Government p.159.
    Loredana GULINO.
  • Cumulative IP Rights in US Law p.163.
    Marshall LEAFFER.
  • How (un)availability of different kinds of protection affects marketing decisions p.169.
    Michael GOLDMANN.
  • The protection of Form or Shape of Objects p.177.
    Rosaria ROMANO.
  • Cumulative Protection for Applied Arts and the Role of Copyright p.185.
    Tatsuhiro UENO.
  • Applied Art Protection in Turkish Law and Strategies p.195.
    Cahit SULUK.
  • Cumulation of exclusive protections (registration and copyright)? A dissenting opinion p.201.
    Gustavo GHIDINI.
  • Rapport de synthèse international. Impression 3D p.209.
    Pierre SIRINELLI.
  • Legal Framework for 3D printing in Spanish Law p.223.
    Concepción SAIZ GARCÍA.
  • The EU legal framework for 3D printing and how it is clipping the wings of users and service providers p.229.
    Benoit VAN ASBROECK.
  • Exclusive right as a tool for 3D technology circumstances p.237.
    Keita SATO.
  • 3D printing Challenges and Solutions p.243.
    Gaetano DIMITA.
  • Right of Adaptation in 3D Printing p.247.
    Anikó GRAD-GYENGE.
  • Gestion des droits dans le domaine de l’impression 3D. Droits exclusifs ou droits à rémunération? p.251.
    Thierry MAILLARD.
  • 3D Legal analysis. Challenges and Solutions p.261.
    Mihály FICSOR.

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