Creators’ Rights in the Information Society / Les droits des créateurs dans la société de l’information

Patronage/Sponsors p.13.

Organizing Comittee/Comité d'organisation p.17.

Congress Program/Programme du congrès p.19.

Opening Session/Séance d'overture p.29.

Topic 1: Copying and Dissemination through Digital Networks p.61.

Introduction p.63.

The Creators'Viewpoint (Translation) p.74.

The Software Industry as a Harbinger of Evolving Distribution Models, p.79.

The Viewpoint of the Phonografic Industry p.93.

Debate p.105.

Topic 2: Private Copying: Existing Legislative Solutions and Proposals for Future Legal Development p.107.

Questionnaire ou Digital Private Copying prepared by the Working Group p.109.

Introduction p.121.

General Report - Part A p.123.

National Provisions Relating to Private Copying

General Report - Part B p.159.

The Definition of Private Copying

Remarks between the presentations

General Report - Part C p.206.

Summary of the National Raports on the Questions Concerning the Regime of Private Copying in the Analog Domain

General Report - Part D p.235.

Legislative Activity Concerning Private Copying (Traduction)

General Report - Parts E/F/G p.247.

Implementation of the EU Directive. Factual Background. Existing Studies

Debate p.255.

Topic 3: Policy Questions Concerning the Legal Treatment of Copying and Dissemination through Digital Networks p.265.

Introduction p.267.

Reproduction and Dissemination through the Digital Networks from the Viewpoint of the French Law (Translation) p.275.

Availability of Works, Choice for Consumers, Confidence in Markets p.283.

The Future of Copyright Levies in the Digital Environment p.295.

C:C & C Copyright: Control and Compensation p.307.

How to Approach Limitations in the Digital Network Environment p.311.

Political Questions Relating to the Legal Treatment of the Reproduction and Dissemination through Digital Networks (Translation) p.336.

Policy Questions concerning the Legal Treatment of Copying and Dissemination through Digital Networks p.341.

Debate p.359.

Topic 4: Existing Levy Systems p.365.

Introduction p.367.

Remuneration Systems for Private Copyng in Europe p.371.

The Position of the United Kingdom p.387.

Levies in the United States - Myths and Reality p.397.

The situation in Portugal p.411.

Private Copying under the Russian Copyright Law p.415.

Existing Levy Systems p.423.

Private Copying Remuneration in Spain p.439.

Private Copying as Seen Mexico p.471.

The Swedish Levy System p.479.

The Rights to Remuneration in Switzerland (Translation) p.506.

Debate p.519.

Topic 5: Technologically Controlled Dissemination through Digital Networks p.523.

Introduction p.525.

The Film Industry's Viewpoint p.529.

The Software Industry's Viewpoint p.541.

The Viewpoint of the Publishing Industry- Current Practices and Outlook p.551.

The Viewpoint of Author's Societies- The Case of Mobile Phone Ringtones in Japan p.563.

Debate p.577.

Topic 6: Summary of Discussions p.579.

Summary p.581.

Observations to the Summary p.603.

Observations to the Summary p.607.

Observations to the Summary p.615.

Debate p.621.

Topic 7: "The Closest Neighbors": Protection of Performers' Rights after the 1996 and 2000 WIPÒ Diplomatic Conferences p.625.

Questonnaire Concerning Topic 7 p.627.

Introduction p.639.

Protection, Exercice and Enforcement of Performers 'Rights after the 1996 and 2000 WIPO Diplomatic Conferences - Summary and Analysis of the Answers to the Questionnaire p.643.

The definition of "Phonogram" in the WPPT p.706.

The Protection of Audiovisual Performances (Translation) p.722.

Topics 8 and 9: The Protection of Performers' Rights Concerning their Aural Performances p.733.

Introduction before Topic 8 p.735.

Manifiesto de Budapest. ¿Qué quieren los artistas? p.737.

Introduction before Topic 9 p.763.

International Protection of Performers. Taking a Look Back and Another One towards the Future p.776.

The Implementation of the Information Society Directive in Spain; the Issue of the RIght of Making Available. Other Topics Related to the Performers' Situation in Spain p.785.

The protection of Rights of Performers in Canada in the Light of the 1996 WIPO Treaty (Translation) p.809.

Topics 10 and 11: The Protection of Performers' Rights Concerning Their Audiovisual Performances p.819.

Introduction

Esperanzas y exigencias de los artistas intérpretes del audiovisual ante la preparación de un tercer intento después de 1996 y 2000 p.827.

Reflexiones sobre la protección de las interpretaciones audiovisuales p.845.

The Protection of Performers in the Audiovisual Field in Europe and the United States p.875.

The Protection of Actors'Rights: The U.S.Perspective p.911.

Recent Developments in Japan p.923.

Closing Session p.931.

Congress Participants p.937.