Colección de Propiedad IntelectualEuropean copyright law: Addressing new challenges and expanding horizons

Presentation p.11.

American copyright vs.european copyright law pp.13-24.

I. Introduction

II. Autorship

III. Creation

IV. Moral rights

V. Work for hire

VI. Fair use

VII. Conclusions

Current controversy over video games emulation: between nostalgia and copyright infringement, pp.25-48.

I. Introduction

II. The impact of "retro emulation" on the video game in the form of ROM files and the use of emulators, comparing the American and European legal regimes

III. Preservation and conservation of retro video games

IV. Some conclusions: what is the legal solution for "retro" emulation?

Cultural heritage and copyright: friends or enemies in EU regulation, pp.49-70.

I. Introduction

II. The treatment of culture and cultural heritage in the founding texts of the Union: original law

III. Derivative law and the interrelationship between copyright and cultural heritage

IV. Conclusions

Performer's intellectual property rights: a view from european union law, pp.71-94.

I. Preliminary remarks: employment precariousness of audiovisual performers

II. Performers and intellectual property: European approach

III. CDSM Directive and fair remuneration: its transposition in spain

IV. Other concerns: special mention for artificial intelligence

V. Conclusion

European online intermediaries and copyright owners: new inconsistencies in identifying infringers and critical issues for the future os the safe harbour model pp.95-126.

I. Approach, evolution and disruptions of the safe harbour liability model for intermediaries in the European environment

II. The copyright-infringing intermediary in the European digital environment: designing a fragmented, modular and collective choral safe harbour system

III. Criteria por access to safe harbours in the general regulatory system on the intermediary service provider's exemption from liability

IV. Effect on the application and autonomous interpretation of the general system to the copyright area: is the harbour still safe for intermediaries in the praetorian model?

V. Impact of a distinct model of intermediaries' liability for copyright: the shift in balance between liability and exemptions

VI. Analysis and evidence of mismatches with the reality of specific cases and questions about the future

Copyright, academic publishers and the protection of independent knowledge, pp.127-150.

I. What sparked my questioning

II. A disclaimer: my role onwards

III. First things first. Introductory remarks

IV. The power of technology: why not a debate *in the field of research?

V. Access to Knowledge movement, open science movement and related issues

VI. Final reflections (not conclusions)

VII. Conflict of interests declaration

Generative artificial intelligence in the light of european and spanish copyright law pp.151-178.

I. Introduction

II. The text prompt

III. Output generated by the artificial intelligence model

IV. Copyright infringement in the training phase

V. Conclusions

Navigating copyright and a AI, text and data mining: legal implications and new trends pp.179-200.

I.Introduction

II. The questions arises: why is an exception needed for TDM?

III. The incorrect incorporation of the Directive in Spain

IV. New legal trends and best practices in opting out in copyrigted works

V. Tech companies have already infringed Copyright using copyrighted works for TDM purposes

VI. Provisional conclusion

Conceptualizing copyright in the domain of edible pp.201-228.

I. Foundations of culinary authorship

II. From ethics to law

III. Copyright protection for culinary works

IV. Alternative frameworks for the protection of culinary creations

V. Concluding remark

Bibliographic references p.229.