La rémunération de l’utilisation des œuvres – Exclusivités c. autres approches

Tabla de contenidos

Jueves, 18 de junio: MODELOS LEGALES PARA ASEGURAR LA REMUNERACIÓN POR USO

Discours d'overture p.3.

WIPO Greetings and introductory Remarks p.5.

Allocution de bienvenue p.6.

Welcome Speech p.9.

Sesión 1: Modelos legales para asegurar una remuneración por el uso de lege lata

1. Exclusive Rights p.15.

1.1 Introduction p.15.

1.2 Informe General: Ámbito y mecanismos de ejecución para asegurar la remuneración, Parte A del cuestionario p.53.

1.3 Informe General: Mecanismos destinados a garantizar una remuneración apropiada a los creadores y artistas intérpretes p.98.

2. Statutory remuneration rights p.111.

2.1 Introduction: Droits (légaux) à rémuneration p.111.

2.2 Informe General: Ámbito y mecanismos de ejecución para asegurar la remuneración p.158.

2.3 Informe General: Mecanismos con vistas a garantizar una remuneración adecuada para creadores, artistas intérpretes y ejecutantes p.202.

Sesión 2: Consideraciones de lege ferenda

1. Could and should the approach of the German Copyright Act of 1965 (limitation and statutory remuneration right for private copy) be further developed? p.215.

1.1 Introduction p.215.

1.2 Le régime allemand de copie privée comme modèle structurant du droit d'auteur p.217.

1.3 Exclusive vs. Remunerative Rights: The Third Way p.225.

1.4 The making available for performers in Spain: a case of statutory remuneration right managed by performers' collecting societies in Spain: a case of a statutory remuneration right p.234.

1.5 Artenschutz für ein anachronistisches Rechtsinstitut - cui bono? - p.238.

2. How could contract law mechanisms be developed to improve economic protection of creators and perdormers? p.243.

2.1 Introduction p.243.

2.2 La rémunération de l'auteur dans la réforme française du contrat d'édition du 12 novembre 2014 p.244.

2.3 A model that may indeed help p.255.

2.4 L'article 5.7 de la directive 2014/26/UE, une introduction diaolique du droit des contrats dans le droit d'auteur de l'Union europèenne p.259.

2.5 Contract law mechanisms from a practitioner's view p.266.

3. Remuneration based of the nationall budget (exaples: Spanish and Israeli private copy system) or alternative models: potential for development? p.269.

3.1 Introduction p.269.

3.2 Spain is different: Los problemas de ajuste del sistema español con la Directiva 2001/29 en materia de compensación equitativa derivada de reproducciones para uso privado p.270.

3.3 The Compensation Regime in Israel for Private Copying on Blank Cassettes p.282.

3.4 Compensation for Private Recording: Experiences in Japan and their Implications p.289.

3.5 Alternative compensation models for large-scale non-commercial online use of works p.298.

Viernes, 19 de Junio: MODELOS DE NEGOCIO ACTUALES Y OPCIONES PARA EL FUTURO

Sesión 1: Ejemplos de modelos de negocio en el entorno digital y su evaluación legal

Keynote p.311.

Introduction p.320.

1. Music Flatrates - Presentation and legal assessment p.322.

2. CCC/RightsDirect and VG Wort p.327.

2.1 Presentation of Voluntary Licensing: CCC/RightsDirect p.327.

2.2 Legal Assessment - The VG WORT Digital Licence p.334.

3. "Micro Licensing" - Examples from the German Games Industry- p.338.

3.1 Presentation p.338.

3.2 Legal Assessment p.340.

Introduction p.343.

4. Open Access in Science Publishing

4.1 Presentation - Open Access and Public Research p.344.

4.2 Legal Assessment p.351.

5. Payment based online access ti newspapers p.356.

5.1 Presentation - Modelos de negocio de prensa digital p.356.

5.2. Legal Assessment p.360.

6. Free, advertisement- based services p.366.

6.1 The example of remuneration on YouTube through Content ID p.366.

6.2 Legal Assessment p.370.

Session 2: Retos para el legislador y los tribunales

1. Need for regulation of such business models? p.375.

1.1 Introduction p.375.

1.2 Do Copyright Related Business Models Need to be Regulated? p.382.

1.3 The roles for intervention and for the market p.388.

1.4 Open Access and remuneration of researchers: consideration on the autor's perspective p.391.

1.5 Need and options for regulatory intervention p.400.

2. Role of collective administration in surch business models? p.404.

2.1 Introduction p.404.

2.2 Possible roles for CMOs in new business models p.406.

2.3 The Role of Collective Management Organisations in New Business Models p.410.

2.4 The role of collective administration in new business models in the audiovisual sector p.419.

3. Participation of creators and performers p.425.

3.1 Introduction p.425.

3.2 Libres propos sur le rôle du créateur dans évolution du Droit - Pour un droit des créateurs p.427.

3.3 Current discussions in Brussels p.435.

3.4 A vies from the musical field p.438.

3.5 Will authors cease to exist? Frightening developments for writers p.441.

Conclusions p.443.

Discours de clôture - Closing Speech p.448.

Annex 1 Questionnaire an National Reports p.450.

Annex 2 Resolution following the 2015 Bonn Congress of ALAI concerning proposals to base the exploitation right on a comprehensive system of remunerations p.459.